
A young artist friend of mine, Emiliano Lake-Herrera, has recently published a blog showcasing some of his remarkable work. I was really taken with these powerful and startling images of savage dogs bearing their teeth, all produced with a ballpoint pen on fine linen handkerchiefs. They are such a fascinating contradiction -- the heavy, intense violence of the dogs paired with the fragile, translucent linen cloth. These drawings are part of a fascinating folk tradition that began in America's Southwest prisons.
Here's Emiliano's description: "The Paño is a folk tradition that originated in America's Southwestern prison system. Paños were originally constructed from torn pieces of bedsheets and were predominantly executed by Chicano/Hispanic inmates. Now, the paño tradition has spread throughout the prison industrial complex and is used as an outlet for many different racial and ethnic groups within prison. Paños are made with ballpoint pen, colored pencil, and/or ink on linen handkerchiefs.
"I constructed this body of work in order to discuss America and the world's growing prison industrial complex. The dog was chosen for its symbolic dichotomy which allows it to traverse between domesticity and the natural order. In addition to this, many of the source images were procured from images of dog fights which, as many know, take domestic animals and mistreat them until they become savage beasts."
Emiliano's work also includes gorgeous and robust sculptural paintings of Brazilian capoeira, perfectly conveying the convoluted intricacies of its fighting techniques and the musical and mythological influences that surrounds the art. You can see more of this vibrant work here.